Friday, April 29, 2011

Monster Movie of the Week: The Lost World Jurassic Park (1997)

THE LOST WORLD: JURASSIC PARK
Director: Steven Spielberg
Genre: Survival/Adventure

THE MOVIE

After the global phenomenon that was Jurassic Park, author Michael Crichton was pressed to write a sequel to his smash novel, on which the 1993 Steven Spielberg movie was loosely based. Crichton's sequel, "The Lost World" introduces us to Isla Sorna, or Site B, where the dinosaurs of Jurassic Park were created before being transported to John Hammond's theme park. It turns out that most of the labs and hatcheries on the park were just for show and the real dirty work of cloning dinosaurs was conducted on Site B.

"The Lost World" novel is a sequel to Crichton's book, not the Spielberg movie and and it does have an edgier tone and functions as a dark commentary on science and technology more than an as an awe-inspiring fun ride. That said, it does bring back Ian Malcolm who had been pretty much pronounced dead at the end of the "Jurassic Park" novel (after a long and rambling morphine trip). While the first book was concerned with how chaos theory predicted the collapse of the ambitious system that was Isla Nublar, "The Lost World" is preoccupied with extinction theory and the behavior of these animals which have been allowed to develop on their own for many years.

The movie adaptation is pretty loose and juxtaposes a lot of characters and relationships and even adds in some material from the first book, which was too technically difficult to achieve at the dawn of the digital age. It's a pretty light movie and has even less scientific commentary than its predecessor.

As in the book, the movie focuses on Ian Malcolm's return to the island, although this is the more cuddly Jeff Goldblum version of the character. His motivation for going back in the movie is to rescue his paleontologist girlfriend who has already gone to the island on a secret documentary exposition. He even has an annoying tween daughter who stows away in the equipment. Much like the movie's T-Rex, The Lost World is very much about showing that Ian Malcolm can be a responsible and nurturing parent and mate. Both were sort of unpleasant and roguish in the first movie, and are reformed by the end of this one. That parallel is a nice emotional throughline in the movie.

Malcolm's team is competing with a group from another wing of InGen who are there to capture dinosaurs to display in a scaled-down San Diego version of Jurassic Park. Soon both teams are forced to work together to survive the island and its ferocious inhabitants. Perhaps the most notable addition to the original story is the last act, which features a T-Rex running loose in San Diego. This bit is a nice homage to classic monster movies and even features a group of Japanese business men running for their lives.


THE MONSTER/EFFECTS

Probably one of the appealing aspects of doing this movie for someone like Spielberg (who had already won an Academy Award by this point) was to play around with his cool toys some more. Jurassic Park pushed special effects technology to the breaking point, and there were still plenty of things that they were unable to do in that movie. The Lost World, no doubt, offered the opportunity to take advantage of the advances that were made in the intervening four years and make a bigger and more spectacular movie with more dinosaurs and set pieces.

The movie features not one, but three T-Rexes. There are two adults and one infant. Sadly, there is very little difference between the adults. It would have been nice to see a little sexual dimorphism, which was alluded to in the book. The infant is mainly seen injured and is realized by an animatronic, and later CGI. The male Rex even gets a scene which was cut from the original novel, in which a Rex attempts to snatch some people from behind a waterfall, complete with dino tongue.

The first dinos we see are a herd of Stegasaurs, including adults and juveniles. It's almost as though someone had a checklist of popular dinosaurs that didn't make it into Jurassic Park. They achieve something you didn't see in the first movie: a good medium shot of a bunch of large CGI dinosaurs. They look really great in this movie. There is even a baby, which seems like a nice nod to the baby Triceratops cut scene from the first movie.

Speaking of Trikes, we get to actually see on in motion in this movie. If you remember, the only Triceratops in Jurassic Park was the big prone one with a tummy ache. Here we get to see one go all Cretaceous on the InGen camp.

There is also a "round up" scene, straight out of The Valley of Gwangi which features lots of sauropods and hadrosaurs. There are even some dome-headed Pachycephalosaurs. There is a wonderful scene during the round up in which we follow a motorcycle as it drives under the belly of sauropod, which is one of my all time favorite dinosaur moments.

The Lost World also introduces us to Compies, which are small chicken-sized dinosaurs which travel in packs, picking off weak animals. Compies were present in Michael Crichton's first novel and even had the privilege of finishing off that version of John Hammond. Here, they have a similar scene in which they gang up on one of the the hunters brought to the island by InGen.



Jurassic Park's most memorable dinos, the Velociraptors are back and get a large action sequence in the movie's third act to themselves. The raptors chase Malcolm, and his girlfriend and daughter into an abandoned InGen facility, which has a cool Life After People vibe. There is even a follow-up to a series of shots in the kitchen scene from the first movie in which Spielberg juxtaposes human hands and raptor claws. Sadly these raptors are vanquished by a combination of their own foul tempers and tween gymnastics.



MOST MEMORABLE SEQUENCE

The dino round up is a really exciting piece of filmmaking, and probably Spielberg's whole reason for wanting to do the movie.

HOME VIDEO AVAILABILITY

Widely available in many different DVD configurations. The whole trilogy is rumored to be out on BluRay in the near future.

TRAILER






Patrick Garone
www.patrickgarone.com
twitter.com/patrickgarone
facebook.com/cityofthegodsnovel

Wednesday, April 20, 2011

Monster Movie of the Week: Gremlins 2: The New Batch (1990)


GREMLINS 2: THE NEW BATCH

Director: Joe Dante

Genre: Comedy/Horror

Country: USA


THE MOVIE


The original Gremlins was an uneasy mix of comedy, horror and holiday movie and was notable for its dark and violent moments. The sequel is more of a wacky comedy that mixes the occasional piece of sharp satire with an anarchic cartoon sensibility. It lacks much of the darkness and violence and the Capra-esque location of the original but makes up for it with its inventiveness and sheer lunacy.


This is a movie that manages to make fun of just about everything, including itself. I mean, you have to love a movie that features scene in which a pair of gremlins discover a cabinet filled with vials with labels like “ACID: Do Not Throw In Face” (being a Gremlin, he immediately throws the other’s face.) Unlike most sequels, which revere the originals, Gremlins 2 goes out of its way to mock the original movie with fun spins on Kate's dark Christmas monologue and even the illogical rules of Mogwai care ("It's always after midnight somewhere.")


Gremlins 2 continues several years after the original in which Gizmo’s elderly owner at the little Chinatown shop is in danger of being razed by millionaire and mega-developer Daniel Clamp (based on a pre-crazy Donald Trump). Gizmo escapes and is brought to a weird genetics lab in the ridiculously modern and automated Clamp Tower, coincidentally, where Billy and Kate also work, having moved to NYC to make it big. Needless to say Gizmo gets wet and wacky hijinks ensue. The Gremlins break into the genetics laboratory and all hell breaks loose. The movie has a lot of fun with all these weird mutant gremlins.


Unfortunately Gremlins 2 was not a big hit and the prospects of another entry in the series are remote. One reason speculated for the low box office of the sequel was that about seven years had passed between the two movies and “Gremlinmania” had died down. I was a kid when the first movie came out and let me tell you, kids went nuts for that movie. Those same kids were probably less interested as teens.




I should also say that I am forever regretful that I did not see this movie in the theater as it has an infamous sequence that simulates a projection breakdown and the theater's subsequent take over by gremlins, one of many funny references to the earlier movie. For a few wonderful minutes you would have believed that the projector actually was broken. This effect was recreated for both VHS and cable versions of the movie, but the cinema version is the one that would have had the audience going for the longest.



THE MONSTERS/EFFECTS

The effects are a lot better than the first movie but the main improvement is the diversity of the gremlin designs. They don’t all look like clones of one another as they did in the original. Even the Mogwai are very distinct from one another and they start out with distinct personalities and looks. My favorite is the really adorable Daffy Mogwai. These looks even carry over to the gremlin designs, so you have about a dozen distinct "hero" gremlins that stand out from the masses.




The movie also exploits the Genetic Lab subplot and has the gremlins mutate into different forms such as the Spider Gremlin, Bat Gremlin, Veggie Gremlin, Electro-Gremlin, Brain Gremlin, and many more, even including a Tranny Gremlin, which shares a memorable moment with Robert Picardo.



SEQUELS


None planned. Although, something tells me Gremlins is ripe for a reboot.


HOME VIDEO AVAILABILITY


Widely available on DVD, yet, sadly, unavailable on Bluray.



TRIVIA


The original special effects man for this movie was Chris Walas who declined to work on the sequel so that he could direct The Fly II. Make up guru Rick Baker was lured on to the project with the promise that he could make the gremlins more diverse.


The toy company NECA recently showcased a Gremlins 2-themed wave of action figures coming summer of 2011.


TRAILER



Patrick Garone
www.patrickgarone.com
twitter.com/patrickgarone
facebook.com/cityofthegodsnovel

Monday, April 11, 2011

Monster Movie of the Week: Creature (1998)




CREATURE (1998)

Director: Stuart Gillard

Genre: Horror/Survival/Sci-Fi


THE MOVIE


This 1998 television miniseries is perhaps better known as Peter Benchley’s Creature, itself based on Benchley’s novel White Shark and delivers some solid monster movie thrills for a TV movie. Benchley was best known as the author of Jaws and had made a career of aquatic thrillers and his later book borrows some elements of that story such as a seaside community setting with its own internal economics and politics, a shark expert tracking a man-eater and some other specific scenes and plot points.


However, the novel differs from the movie in several important ways. In the novel, the titular monster is a surgically enhanced shark man created by Nazi scientists. The movie takes this very campy premise and changes the monster to be a genetically engineered creature bred by the U.S. Navy that is a hybrid of shark, human and dolphin DNA which, while still ridiculous, is not quite as silly as a razor-toothed Nazi shark man. The movie also exchanges a Jaws-like New England setting for a south Caribbean locale. These changes make the movie better and less campy than it otherwise would have been and they make for a more interesting monster.


Also, interesting is a change in point of view for Benchley himself, who made a fortune off of the novel and movie version of Jaws, a piece of popular entertainment that framed a whole generation’s perceptions of sharks. I have a “Shark Week”-loving friend who hates Jaws with a passion because he feels it misrepresents sharks. Benchley is said to have regretted the success of his novel and its adaptation and later in his life became somewhat of a shark crusader. This point of view comes across in the protagonist of Creature. Simon Chase, who throughout the movie goes to great lengths to protect a pregnant Great White shark that has been mistakenly believed to be preying on the islanders.


Ultimately, “Creature” is surprisingly good for a TV movie, most of which are notoriously bad. It features a unique monster and some unsettling and genuinely scary moments. The movie has a somewhat Resident Evil kind of feel to it. I’m not talking about the movie but the game series, which has a rich cinematic heritage but manages to create a feel of its own that often features eerie decaying laboratories, engineered human monstrosities, and convoluted stories of corporate experimentation. Creature has a lot of those elements going for it, so if you are a fan of the Resident Evil games, you may really like Creature. The Creature itself looks like something that you would see in a Resident Evil game (Incidentally, the original Resident Evil game came out in 1998 as well and both Creature and Resident Evil seem to bear a passing thematic resemblance to The X-Files, which was still very hot at the time.)


THE MONTER/EFFECTS


While the effects in Creature leave something to be desired the monster itself is pretty cool. It is very shark like at first but it is also mammalian and has the ability to breathe air and walk around which is cool and unexpected (although I couldn’t help think of the “Land Shark” sketches that they had on Saturday Night Live in the '70's, ). When we finally get a good look at the monster we see that he is a perhaps 8 foot tall hunchbacked creature with a head that combines features of a man and a shark with long arms that end in vicious claws. Good stuff.




HOME VIDEO AVAILABILITY


Recently released on DVD and available on Netflix.


MOST MEMORABLE SEQUENCE


While exploring a spooky, long abandoned and partially submerged navy research station, our heroes encounter the creature that chases them through the water and plops down on dry land where he undergoes a painful transformation to an air breather.



SEQUELS


None. Although, the idea is introduced that the creature can breed with a female great white…


SEE ALSO


Jaws 1975 Deep Blue Sea 1997


Patrick Garone
www.patrickgarone.com
twitter.com/patrickgarone
facebook.com/cityofthegodsnovel