Friday, April 30, 2010

The Boondocks Strikes Back!


May 2nd marks the long-awaited third season of Cartoon Network's animated series, The Boondocks, based on Aaron McGruder's popular comic strip of the same name, which ran until 2006. The series offers sharply-scripted satire about an African American family transplanted into a mostly-white suburb. The Boondocks has attracted its fair share of controversy for its often hard-hitting racial humor, its sometimes misogynistic and homophobic language and its almost constant use of the word "nigga."

The Boondocks
features lots of memorable characters, but the heart and conscience of the show is young Huey Freeman, an afro'd, precocious, martial-arts trained, kid who considers himself a throwback to the black power movement of the 1960's. As reprehensible as some of his surrounding characters can be, we can almost always count on Huey to be the voice of responsibility and commonsense. If the show were not so often from Huey's voice, it would be an exercise in awful stereotypes and shock humor. His brother is Riley, a wanna-be gangsta, who is obsessed with the violent and materialistic side of Hip-Hop culture. The two boys are being raised by their grandfather, Robert Freeman, a crotchety relic of the Civil Rights movement who is trying to enjoy a quiet retirement. The most controversial character is Uncle Ruckus, a black white supremacist who is constantly spouting some of the most awful racial epitaphs and black stereotypes you have ever heard.

Despite the painfully long production gaps between seasons (this is rumored to be the last one) and the very uneven second season, The Boondocks deserves to stand with series like The Simpsons and South Park as one of the funniest and smartest animated shows of all time. In addition to sometimes brilliant writing, The Boondocks also features high quality Japanese-style animation and is often beautiful to look at in a time when the norm for animated comedy programs is animation that is cheap and ugly.

It's been a couple of years since the last episodes of the show have aired and the racial equation has changed somewhat in America. I am curious to see how The Boondocks will fare in the supposedly post-racial Age of Obama. The first episode of season three looks to take this topic on and is called, "It's a Black President, Huey Freeman." Sadly, comedy waits for no man, and I can't help feeling like this was an episode that should have aired a lot sooner, but for The Boondocks, I am willing to set the clock back a year and a half.
In preparation for the new season lets count down the top ten episodes from seasons one and two.

10. "Attack of the Killer Kung Fu Wolf Bitch," Season 2. The Boondocks is sorely lacking strong female characters and can often lapse into a kind of cheerful misogyny (despite the fact that Huey and Riley are both voiced by a woman). African-American women in particular usually only appear as crazy or prostitutes on the show, and "Attack of the Killer Kung Fu Wolf Bitch" introduces us to Luna, who is the former. As part of his ongoing attempts to hookup online, Granddad makes a date with Luna, a beautiful young woman with a tragic past, low self-esteem, deadly Kung Fu skills, and a girlfriend who is constantly feeding her unhealthy relationship advice via a Bluetooth headset. Luna actually turns out to be a fairly sympathetic and appealing character, which is a shame because the episode treats her pretty badly.

Despite the mishandling of the Luna character, this is one of the more fun and energetic Season 2 entries and has some of the series' best animation. Also, this is one of the few cases where the martial arts sequences are not gratuitous and actually feel like an organic part of the story. Look for the hilarious references to Enter the Dragon and Mortal Kombat.

9. "Granddad's Fight," Season 1. This one introduces us to Colonel Stinkmeaner, a supernaturally hateful and mean old blind man, who gets into an unnecessary altercation with Granddad in the parking lot of a shopping mall, what Huey terms a "nigga moment."
Egged on, Granddad decides to fight the old man with tragic results. This episode has some great animation, such as Huey's martial arts fantasy sequence and a great voice performance from Cedric Yarbrough, who normally voices the uptight Tom Dubois but gets to let loose with the awful Stinkmeaner.



8. "The Itis," Season 1. This episode is a great meditation on the relationship between food and community, as Granddad is given the opportunity to open a special soul food restaurant where he features The Luther, a bacon cheeseburger with a pair of Krispy Kreme donuts in place of a bun. This episode is from Huey's point of view and the highlight is his hilarious interpretation of the plot of the movie Soul Food. This episode is an example of why The Boondocks is a great satire, and its targets are not only the larger American establishment, but aspects of African American culture that are unhealthy or counterproductive as well.


7. "A Date With The Health Inspector," Season 1. This episode begins with Tom Dubois' hilariously graphic nightmare about being accosted in a prison shower by an inmate who calls himself "The Health Inspector." It turns out Tom is wrongly suspected of being the "X-Box Killer" and is in danger of having his worst nightmare come true.

Huey and Riley team up with Ed Wuncler III and his pal Gin Rummy to find the real killer before Tom is sent to "real prison." In the same way that Ed is vaguely based on George W. Bush, Rummy is physically based on Donald Rumsfeld but voiced by Samuel L. Jackson. Ed and Rummy pop up in a lot of forgettable episodes but their chemistry and banter are always entertaining. The rest of the episode is a hilarious and sustained satire of how we got into the Iraq War with some nods to Pulp Fiction.



6. "The Story of Gangstalicious Part 2," Season 2. Gangstalicious, having survived the repercussions of his "Thuggin' Love" in Season 1, and releases a new single, "Homies over Ho's." Riley, having blocked the traumatic events of his previous encounter with Gangstalicious, still seeks to emulate his idol, leading Granddad to suspect he might be turning gay, which is surprising because Riley is always talking about how "gay" everything is. This is all tied in with some footage of a fictional pair of gay rappers who came out in the '80's and talk about whether the Hip Hop world will ever be able to accept an openly gay rapper. This is a surprisingly respectful and nuanced take on the subject matter and has an inconclusive, bittersweet ending. I hope we see learn the fate of Gangstalicious in season 3.

5. "Stinkmeaner Strikes Back," Season 2. Apparently too unpleasant for Hell, Stinkmeaner returns to get his revenge on the Freeman family by possessing Tom. Like many of the season 2 entries, "Stinkmeaner Strikes Back" takes a step away from the more reality-grounded episodes, and lets loose with a lot of craziness and over-the-top action. Ultimately, Uncle Ruckus (who, among his many jobs is a Reverend in the Church of White Jesus, in a callback to season one's "The Passion of Uncle Ruckus") comes in to perform an exorcism in a scene for which the only adjective is "wrong." But hilarious. Cedric Yarbrough is great and somehow even more unhinged as Tom-as-Stinkmeaner, than he was in that character's first episode. I hope we see another Stinkmeaner episode in Season 3, maybe "Son of Stinkmeaner?"

4. "Guess Hoe's Coming to Dinner," Season 1. Granddad gets involved with a suspiciously young and beautiful woman, Cristal, who soon moves in with the family and begins spending lots of his money. Riley and Huey conspire to get rid of Cristal, whom they correctly have guessed is a "ho." This episode marks the first appearance of the superbly oily and awkwardly named pimp, A Pimp Named Slickback (voiced by Katt Williams).



3. "The Story of Gangstalicious," Season 1. This is the best of the Riley-centric episodes and when he finds out that his idol Gangstalicious has been shot and is recuperating at a near-by hospital, Riley goes to meet him and gets involved in some unexpected drama, finding out not only that his idol is inept with a handgun and unable to jack a car but that there is also a hidden meaning behind his song "Thuggin Love." This episode is a great commentary on masculinity and Hip Hop culture and features the first appearance by Mos Def as Gangstalicious, one of the most interesting and compelling characters on the show.



2. "The Trial of R. Kelly," Season 1. A recurring theme of The Boondocks is tension between black intellectual culture and black popular culture, as represented by the eternal conflict between Huey and Riley. The two brothers end up on opposite sides of the R. Kelley case and this episode even features an extended anime-style fight scene between a small group of elites led by Cornell West and a bunch of very stereotypical black characters outside of the courthouse. This is the infamous episode in which a chicken wing was thrown at Rosa Parks but that scene was removed out of respect to her then-recent death but is included as a deleted scene on the DVD. Adam West does a great job voicing a slimy lawyer defending R. Kelley.


1. "The Return of the King," Season 1. This is another one of the those episodes that steps away from reality a bit but carries the show in the direction of great satirical social commentary. "Return of the King" presents the premise of "What if Martin Luther King had not been assassinated in Memphis in 1968 but instead had been in a coma all these years? What would he make of contemporary America, especially black America if he woke up in 2006?" The episode veers off into Austin Powers styled fish-out-of-water comedy a couple of times but presents the audience with a lot of challenging questions about where where we've all come as a country since the 1960's and the legacy of the Civil Rights movement.

Saturday, April 24, 2010

Monster Movie of the Week: King Kong (2005)



KING KONG (2005)
Director: Peter Jackson
Genre: Adventure/Tearjerker

THE MOVIE:


King Kong has been around the block a few times. He starred in the classic 1933 movie and its sequel, a couple of Japanese movies (including one in which he fought Godzilla and in another he fights Mechanikong) and a 1976 remake and its sequel. And let’s not forget all of the giant ape copycat movies that Kong inspired. One could have been forgiven for thinking that the 2005 remake was less than necessary (especially after the disappointing Godzilla remake in 1998).However, when you have a filmmaker like Peter Jackson-who was at the height of his creative powers having just finished the Lord of the Rings Trilogy-it changes the equation a bit.


The most important factor was that Peter Jackson absolutely loves and respects the original 1933 movie. One has to only see the extras on the DVD of the original King Kong in which Jackson painstakingly recreates the lost Spider Pit sequence using only 30’s era technology. You can clearly see that this is the lucky guy who loves what he is doing.Again, I have to go back to Emerlich and Devlin’s Godzilla remake. Here were two guys who were given a brand and were told they could do what they wanted with it. They had no particular love or interest in the original series and decided to do a remake that had almost nothing to do with the original Godzilla movies. In contrast, Jackson took the original movie, knew there were things he could do to better realize it, and made a movie that might have been very similar to what the original filmmakers would have done if they had the 2005 technology at their disposal.We all know the story of Kong. We all know how it ends. But what really works in this version is the relationship between Anne Darrow (Naomi Watts) and Kong (mo-cap by Andy Sirkis, who did similar duty on Gollum in the Lord of the Rings movies.) Really, the whole movie hinges on this relationship. In past versions of the story there is an element that is, shall we say…creepy…about this pairing. I think the previous versions of Kong have been informed by an idea that he represents a sort of primitive Third-World sexuality focused on this white blond woman, whereas, Peter Jackson’s Kong behaves more like a real gorilla. He is presented as being isolated on Skull Island and is the last of his kind in a hostile environment. Anne is equally isolated and afraid to reach out to anyone. The fact that these two are able to form such an important connection is very beautiful and touching and gives the movie its center, and makes this version of King Kong the great unconventional love story it was always meant to be. Respect for Watts and Sirkis for being able to bring this relationship to the forefront despite several layers of technology. Peter Jackson once again shows that he can make a big budget special effects movie that focuses on character, relationships and emotion.

THE MONSTER/EFFECTS:

The greatest special effects application is the use of motion capture which allows Kong to be inhabited by actor Andy Sirkis resulting in an actual performance and not just an animation. This is part of the reason that the film is so successful and heartbreaking because you really feel invested in Kong as a character and not a guy in a monkey suit, a stop motion puppet, or a giant animatronic head.


There are a lot of special effects in this movie, from the obvious creature effects to the more subtle effects used to create or enhance environments. There’s nothing necessarily groundbreaking but all the effects are well executed.

MONSTERS FEATURED:

Skull Island is crawling with monsters. There are dozens of dinosaurs, from T-Rex and Raptor analogues to larger sauropods. There are bugs galore, including giant man-eating wetas. There are some creatures that defy description such as one that I can only call the “Foreskin monster.”

Much like James Cameron's Avatar four years later, King Kong attempts to create an ecosystem (although an impossible one; Skull Island would have to be huge to support all of those dinosaurs). There is even a great companion book to the movie, The World of Kong: A Natural History of Skull Island, which is book of concept art for the movie disguised as a guide book to the flora and fauna of the island. The main idea behind Jackson's concept for Skull Island is that it is a place where prehistoric animals never went extinct and continued to evolve for the last 65 million years, so they are not exactly as we know them from the fossil record (hence the V-Rex being slightly different from its extinct ancestors).

MOST MEMORABLE SEQUENCE:

V-Rex Fight. Kong fights three V-Rexes, on a cliff, suspended on vines and on the ground, mostly while holding on to Anne. And the absolutely heartbreaking end of the movie.

DVD AVAILABILITY:

There have been several releases on DVD. The Extended Edition restores about 22 minutes of footage, including the river raft sequence that features an giant fish that resembles Giger’s Alien more than a little bit. Although, the movie does take its time getting going so the extra 22 minutes might be a dealbreaker for some people. There are plenty of other documentaries and extras.

Most, if not all, of these features are available on the Bluray version of the movie, which features both the theatrical and extended cuts. Like many Blurays, the featurettes and other supplemental materials are only available as branching features while watching the movie. What the hell is up with that anyway?

SEQUELS:

None planned or needed.

SEE ALSO:

King Kong* (1933), King Kong (1976)

TRAILER:




*The 2005 Collector’s Edition of the 1933 movie features extensive interviews with Peter Jackson in which he talks about his love for the movie. It also features a very interesting documentary in which Jackson’s 2005 Kong crew attempts to recreate the infamous and lost “Spider Pit” sequence using technology available in the 30’s. The documentary takes you through the whole process and you get to see the final recreation of that scene.

Monday, April 19, 2010

MONSTER MOVIE OF THE WEEK: DEEP BLUE SEA (1999)

This summary is not available. Please click here to view the post.

Friday, April 16, 2010

Flickchart is Crack for Movie Geeks

Back in the '90's I used to come up with embarrassingly nerdy ideas, like when my buddy and I tried to create a computer program to track what CDs we were listening to and chart our musical tastes and which would give us a kind of personal Top 20. While at the time it was super lame, it looks like society has finally caught up with my geekyness. What I'm saying is, I basically invented iTunes and am waiting for my big check to come in the mail. Another great nerdy idea that is catching on is the website Flickchart, which is designed for movie geeks with OCD.



The basic idea of Flickchart is very simple, it presents you with a series of choices between pairs of movies. You can either pick one over the other, or indicate that you haven't seen one or both of them, in which case it presents you with different choices. Rinse and repeat. The website keeps track of your selections and compiles a master list, which becomes refined as you rank more movies. The opposite is also true, if you don't rank a lot of movies, your list will probably not accurately reflect your tastes.

Sometimes the choices are obvious. Problem Child vs. No Country For Old Men? Easy. The Dark Knight vs. Iron Man? Harder. Alien vs. Aliens? Yikes. Some pairings present you with cases of Apples and Oranges that make your head spin. Crash vs. Blades of Glory. I loathe Crash but can appreciate that in most ways it is better than the silly Will Farell ice skating comedy. For me, it usually comes down to which movie I would rather watch at that moment. Blades of Glory, flawless victory!

Not perfect, but close.

Flickchart also allows you to filter movies by genre, date, actor, and director. Want to know what your all time favorite Horror movie is? Filter your list for Horror movies. Curious to see which Arnold Schwarzenegger movie ranks highest on your list? Or what your top movies of 2010 are to date?

No disrespect meant to fans of Eraser.

The site also allows features some limited social utilities. You can friend people and comment on their lists or choices. Flickchart also allows you to export your Top 5's to Facebook. If your favorite movie is an obscure, oddball choice you can look on that movie's profile and see who else ranked it at number 1. Thanks to Flickchart, two people who's favorite movie is UHF will be able to find each other and possibly breed.


There's someone out there for you, Accordion27.


If you haven't already, check it out. There's no charge to sign up but keep two things in mind: Flickchart is incredibly addictive, and to best appreciate it, you should probably have seen a lot of movies. As an added bonus, the site features a lot of obscure and foreign movie posters, some of which are incredibly weird. If nothing else, it can be a great little time-wasting activity while you are on the go. You don't actually have to spend hours ranking movies. But you probably will.

Alternate Movie Tag Line: SCARFACE

They're Real Movies. They're Real Fake Tag Lines. They're Alternate Movie Tag Lines: SCARFACE.

Tuesday, April 13, 2010

MONSTER MOVIE OF THE WEEK: PREDATOR (1987)



PREDATOR (1987)
Director: John McTiernan
Genre: Sci-Fi/Survival/Action

THE MOVIE

The 1980’s gave us a wave of hard-hitting and violent science fiction movies. Gone were fare like the cerebral 2001: A Space Odyssey or the innocent space opera of Star Wars. Directors like James Cameron and Paul Verhoeven gave us often nihilistic and ultra violent movies like Aliens and Robocop. Arnold Schwarzenegger made a career doing movies such as Terminator and Total Recall (which was both violent and cerebral) before he became a kindergarten teacher and pregnant and finally governor of California. By the time Predator came out, Schwarzenegger’s career as an action superstar was in full swing and in a lot of ways, the movie was sold as an action vehicle for Schwarzenegger but fortunately Predator and it’s memorable alien creature have had a rich life outside of the first movie. Predator had its own sequel (a better movie in my opinion), another full sequel on the way, a series of comics, novels, and video games as well as a couple of cross-overs with the Alien series of movies.

Predator centers on a Special Forces unit sent to the jungles of Central America. This was during the '80’s when the U.S. and the Soviet Union were using Latin America as a board in a destructive game of Cold War chess. Dutch (Schwarzenegger), leads a troupe of annoyingly macho soldiers (who like the smack-talking marines in Aliens soon find that they are not as tough as they think) in coordination with a CIA Agent (Carl Weathers.) They begin to come across strange things like bodies that are skinned and hung upside down from trees. These soldiers begin to find themselves prey to a strange humanoid creature that is able to camouflage itself into the jungle while it picks them off one by one. Ultimately, Schwarzenegger must go mano a mano with the alien creature.

Predator prepares to lip-synch for its life.

THE MONSTER EFFECTS

Predator is one of the more distinctive and cool monsters to come out of the late, great, Stan Winston’s creature shop in the 1980’s with its distinctive mask, dreadlocks and weaponry. Once unmasked, the creature has a spider like multi-mandibled face. Rumor has it, that none other than James Cameron had a hand in the Predator's distinctive facial design.

Originally, Jean Claude Van Damme was cast as the creature but was replaced after filming started. The role was then given to dancer Kevin Peter Hall, who also portrayed Predator in the sequel. Hall gave the monster a certain unearthly grace and subtle movement flourishes. Check out the very delicate finger movements when Predator removes his mask at the end. Compare this with other actor who played these creatures in the AvP movies who all move like quarterbacks.



Of course, one of the best things about the Predator is its ability to camouflage, an effect that was mind bogglingly cool when I was a kid in 1987. Also very impressive at the time, was Predator’s faux infrared “thermal vision” which I imagine would be of limited use in the steaming jungle. And, who can forget the Predator’s eerie clicking noise, guaranteed to scare the hell out of anybody in a dark alley. Not to mention its creepy mimicking ability.

DVD AVAILABILITY

Widely available in a 2 disc collector’s edition on DVD. Predator has also been made available on Bluray.

MOST MEMORABLE SEQUENCE

I like the down and dirty battle at the end of the movie. This is true of Predator 2 also. In both released Predator movies, it seems to me like the culmination is the hero duking it out with the disarmed Predator, like once you get rid of that shoulder cannon, “It’s on!”
I like when Predator grabs Ah-nold by the neck and lifts him up off the ground so that his feet are dangling.

This is also one of those great, highly quotable movies, such as when Arnold observes:

"If it bleeds, we can kill it."

Not to mention when Schwarzenegger implores the monster at the end:

"Kill me! Kill me now! What are you waiting for?"

And a wounded Jesse "The Body" Ventura spouts:

"I ain't got time to bleed!"

SEQUELS

Predator 2 from 1990, with a totally different cast and two Alien vs. Predator movies. This summer, Predators will release, although to what extent it is connected to the previous movies is unknown. Predators is produced (and seemingly co-directed) by Robert Rodriguez who has been connected with a third Predator movie for many years.

"Who are you calling ugly?"

SEE ALSO

Alien 1979 Aliens 1986

TRIVIA

There was to have been a completely different design for the Predator that was changed at the last moment. This design was smaller and had reverse jointed legs. It can be briefly seen in the special features in the deluxe dvd.

Two of this movie's stars-Schwarzenegger and Ventura-later went on to become the governors of California and Minnesota respectively.

In the expanded Alien and Predator universe, this species is called the Yautja. Their homeworld was briefly seen in Aliens vs. Predator: Requiem (2007).

TRAILER



Damn, that's a great trailer. Not only does it make me want to watch the movie, but it makes me want to get into a Hot Tub Time Machine and go back to 1987 and buy a $3 movie ticket and watch the movie in an '80's theater.

Monday, April 5, 2010

MONSTER MOVIE OF THE WEEK: DEVIL DOG: THE HOUND OF HELL (1978)



DEVIL DOG: THE HOUND OF HELL (1978)
Director: Curtis Harrington
Genre: Occult

THE MOVIE

The 1978 TV movie Devil Dog fits firmly into the paranoid occult thriller genre, popularized by movies like Rosemary’s Baby and The Omen, that was so popular in the 1970’s. I guess by the time 1978 rolled around, satanic cultists had exhausted all of the good schemes to bring about Armageddon and had now become with content with bringing forth Satan’s puppy. ‘Cause when the Antichrist comes around, he’s going to need a pet.

In the movie’s creepy opening, some cultists purchase a dog from a local breeder and use her in a rite to summon an evil spirit. There's lots of chanting and candles and creepy artwork. An evil wind blows in and we are left to wonder at the poor dog's fate. It is never sufficiently explained what the purpose is of this ritual or what the overarching plan is of breeding a litter of devil dogs.


Why you shouldn't decorate your kitchen while on LSD.


After a suburban family’s dog is killed under suspicious circumstances, a man shows up with a litter of puppies. This man is folksy and friendly in the way of all movie Satanists and he kindly gives the family’s jarringly perky and independent children one of his devil-puppies. Soon, the cute German Shepard puppy uses its glowing eyes to turn the kids into secretive, short-tempered, a-holes…or contemporary teenagers.

The dog also causes several strange accidents and deaths of people who threaten to expose the dog’s influence on the kids, such as the family’s flamboyantly Catholic maid, Maria, who gets a “cheel” upon first seeing the dog. After a year, only the father remains free of the devil dog’s grasp, and he soon becomes paranoid and isolated.


It's Rosemary's Puppy.


Before long, the father consults a psychic, who advises him in her occult library full of old leatherbound books. In hushed, dramatic, tones she tells him of the demon that has taken over his family. For reasons that are not entirely clear, the man travels to a very unconvincing Ecuador, where he is advised by a Southwestern shaman who shows him how to battle the beast.

Devil Dog is a great piece of vintage 1970’s cheese. This is another movie that was on heavy rotation on my household in the 1980’s, no doubt taped off TV onto a Betamax cassette. I like to think of it as a period at the end 1970's occult thriller sentence.


THE MONSTER/EFFECTS

The Devil Dog usually looks like a normal German Shepard, whose eyes occasionally glow to indicate use of evil powers. However, Devil Dog sometimes reveals his true form, which is something like a giant rotweiller with horns and seemingly wearing a feather boa. This dog is usually smoky and badly composited into the shot. He is much less scary than I remember.


Devil Dog, you better work!


DVD AVAILABILITY

A bare bones DVD is available. Its on Netflix.

SEQUELS

None.
Richard Crenna, doing his best Iron Man.

SEE ALSO

Rosemary’s Baby 1968, The Omen 1976

THE TRAILER

Friday, April 2, 2010